國立臺南大學專任教師基本資料
姓名董維琇
系所視覺藝術與設計學系
校內分機695
EMAILweihsiu@mail.nutn.edu.tw
辦公室(06)2133111
網址 
專長/研究領域藝術家進駐專題研究與實務、藝術社會學、當代藝術思潮
學位畢業學校國別主修學門修業期間
碩士華威大學University of Warwick英國Art and Design Education1998-1999
博士中央英格蘭大學, 伯明翰藝術學院BIAD, UCE英國Fine Art2000-2003
服務機關部門系所職稱服務期間
建國技術學院商業設計系助理教授2003.8~2004.1
國立臺南大學美術學系助理教授2004.2~
著作名稱:美學逆襲:當代藝術的社會實踐
年度:2019
類別: 學術專書
摘要:本書以各種角度探討當代藝術的社會實踐:從藝術史以及美學理論基礎到案例研究,從西方經驗到臺灣與東亞區域性對話,以及如何教育藝術的社會實踐;並且揭露出近年來這樣的藝術取向,對於自然環境與人文生活的深刻影響,進而帶來公民行動的覺醒
關鍵字:當代藝術,社會實踐, 美學
著作名稱:當代藝術的社會實踐:迎向真實與改變的力量
年度:2017
類別: 學術專書
摘要:這是一本關於當代藝術的社會實踐的研究專書,也可以算是一本論文集,因為除了緒論與結論之外,其中的二、三、四、五章,也可以獨立成為發展探討的子題,從藝術的社會實踐在藝術史以及美學方面理論基礎到案例研究,從西方的經驗到台灣與東亞在地性的反思,揭露出近年來這樣的藝術取向,對於自然環境與人文生活的深刻關注,以及從教育性的觀點看探討藝術的社會實踐。 本書集結了筆者自2011年以來於國內外的田野調查、研究參訪以及在英國、美國、日本和韓國的國際研討會論文發表的內容與延伸思考,有一部分雖然看似筆者個人研究歷程的自省表現,但也帶著與學術領域及藝術工作者有所對話的期許,本書希望以各種角度來思考當代藝術的社會實踐,討論不同的社會與文化對於藝術能如何反映真實、喚起公眾的自覺及藝術行動,進而成為改變的力量。
關鍵字:當代藝術, 社會實踐
著作名稱:Art for Social Change and Cultural Awakening: An Anthropology of Residence in Taiwan
年度:2013
類別: 學術專書
摘要:Artistic residence have been widely adopted in Western countries but have only relatively recently become popular and received official support in Taiwan. The book explores the challenges that this form of art practice faces in contemporary Taiwan from the revocation of Martial Law in 1987 to 2000s – arguably one of the most exciting periods in the sociocultural history of the island. Case studies show what is at stake politically, historically and socially in artists’ endeavours to giving shape to a sense of Taiwanese identity.
關鍵字:Artist-in-residence, cultural identity, art for social change
著作名稱:Art for Social Change: The Role of Artist-in-Residence in Challenging Taiwanese Cultural Identity, PhD Thesis, 2003, June, Birmingham Institute of Art & Design, UCE, UK
年度:2003
類別: 學術專書
摘要:
關鍵字:
著作名稱:Cultural Impact in Contemporary Art and Art Education: Implications for Art Education Reform in Taiwan, MA Thesis, 1999, September, University of Warwick, UK
年度:1999
類別: 學術專書
摘要:
關鍵字:
著作名稱:'解構藝術進駐:區域文化與國際化之展現與對話'(De-construct the Practice of Artist-in Residence: Reflections on Local Culture and Internationalism)專文收錄於'臺灣藝術村指南',行政院文化建設委員會出版,2005年4月, p18-21
年度:2005
類別: 學術專書
摘要:
關鍵字:
著作名稱:‘伯明翰珠寶產業特區’(The Birmingham Jewellery Quarter)專文收錄於‘文化空間創意再造’(Creative Programming in Reuse of Spaces: An International Perspective),蕭麗虹/黃瑞茂計畫主持,行政院文化建設委員會出版,2002年1月,120-123
年度:2002
類別: 學術專書
摘要:
關鍵字:
著作名稱:眷村做為文化遺址場域— 回溯水交社集體記憶與離散歷史
年度:2021
類別: 期刊論文 博物館學季刊
摘要:In the late 1940s, at the end of the Chinese Civil War between the Kuomintang (KMT) Nationalist Party and the Communist Party, General Chiang Kai-shek’s army and followers moved to Taiwan. The original plan was for a temporary stay while they prepared to retake the mainland. This represented the largest human migration of the 20th century and resulted in the building of more than 800 military dependents’ villages throughout Taiwan. Residents of these villages came from provinces across China. They continued to speak their dialects and preserve their customs. As such, these villages became unique cultural sites that contributed to the preservation of many types of memories, such as of the Chinese Civil War, the Cold War period, and the diaspora experience. In the 1990s, some of these villages began to be torn down, as residents were relocated and the government implemented new policies and urban planning. However, these are important historical sites that should not be so easily erased. Currently, some military dependents’ villages are being preserved through designated planning policies, often in the form of community museums or cultural parks. In this paper, Shuijiaoshe Village in Tainan City serves as a case study to reflect on how some military dependents’ villages have become heritage sites and exhibition spaces. Artistic intervention and interdisciplinary collaborations by artists, designers, architects, and other professionals, as well as community members, have contributed to transforming these villages into spaces for artist-in-residence schemes, museums, and cultural parks. These efforts have led to more awareness and better understanding of the collective memories and diaspora experience of those who lived in military dependents’ villages.
關鍵字:水交社眷村策展計畫、文化遺址場域、集體記憶、藝術介入
著作名稱:From social art practice to environmental aesthetic awakening and civil engagement: The case study of Cijin Kitchen
年度:2020
類別: 期刊論文 Journal of Contemporary Chinese Art
摘要:This article focuses on the nature of socially engaged art as environmental aesthetics in a particular project that has spanned several years from 2014 onwards: the‘Cijin Kitchen’ project initiated and curated by artist, curator, art educator andactivist Wu Mali (b. 1957). The project is set in an underdeveloped seaside community on the outskirts of Kaohsiung with a sizeable population of fishermen, labour workers and diverse immigrants. Importantly, the place has a historical significance due to its rich maritime memories. The Cijin Kitchen project has involved various artists, designers, urban planners, scholars as well as local communities and it has allowed such a marginalized area to be empowered and renewed for its future development. The communities at stake have, indeed, developed an awareness of their cultural uniqueness, their local colours and flavours. The transformative power of art no longer solely lies in its ability to be displayed in museums or alternative spaces within the confines of the ‘art world’. Its power extends to the ‘real world’ whereby artistic or curatorial concepts become genuine platforms for urban change and community reconstruction.
關鍵字:socially engaged art practice, Cijin Kitchen, environmental aesthetic awakening, civil engagement, Wu Mali, relational aesthetics
著作名稱:When Social Art Practice Overcomes Globalisation: Attending to Environment and Locality in Taiwan
年度:2018
類別: 期刊論文 CULTURE AND DIALOGUE
摘要:This essay discusses how artists, architects, and local community people have collaborated together to regenerate an everyday life aesthetics that embodies and reflects the environmental specificity of local culture, history, and geography in the context of Taiwan, where systematic urbanisation has had a very negative impact in many different areas since the early 2000s. The essay explores the possibility of local aesthetics retrieving the feelings of the Taiwanese “vernacular worlds” against the effects of globalisation, urbanisation and rapid socio-political changes. Two social practice art projects are considered accordingly: Plum Tree Creek and Togo Village.
關鍵字:globalisation – social practice art – environment – Plum Tree Creek – Togo Village
著作名稱:合作對話與師生共學的藝術課堂︰13號工作室藝術家進駐計劃的實踐與啟示
年度:2017
類別: 期刊論文 藝術研究學報
摘要:英國13號工作室是全世界第一個由學生主導的藝術家進駐學校的計劃,本文將探討其崛起、藝術教育理念、國際連結與其所帶來的影響,此外,也將就藝術教育史的角度探討藝術家進駐計劃的模式與藝術家/教師的典範如何結合;隨著當代藝術「關係美學」、社群藝術、對話性藝術的發展,講求人與人關係連結與合作參與的創作方式,意味著藝術教育的未來式應該突破傳統藝術課堂裡單向的教授學生技法或知識,同時,允許更多元民主、創意啟發的學習方式帶來與學生的對話、分享與共同學習的空間。本文對於13號工作室藝術家進駐計劃的研究,期許能為台灣的藝術與人文領域教育帶來延伸思考與可行的實踐。
關鍵字:13號工作室藝術家進駐計劃、藝術家/教師、藝術家/學習者、關係美學
著作名稱:擴大的界域:藝術介入社會公眾領域
年度:2015
類別: 期刊論文 藝術論衡
摘要:二十世紀開始以來,公共藝術的發展從傳統的公共雕塑、永久性設置的認知,一直發展到1990年代所提出的暫時性公共藝術的概念與新類型公共藝術的論述,此後使得關於這個議題的探討與創作獲得解放,與當代藝術思潮的發展彼此互為主體,換言之,自1920年代以來達達主義、觀念藝術不再以材質的創作為核心;當代藝術跨領域的趨勢皆反映在公共藝術晚近的新發展上,在涵納當代藝術思潮之下,關於公共藝術領域的探討被藝術家及藝術理論專業者不斷重新定義,並且產生許多新的關鍵詞; 任何可以挑戰公共藝術傳統的創作概念都相當受到當代藝術家的青睞,這些術語的提出者,從各種角度切入去論述當藝術進入到公眾領域所可能產生的各種狀態、創作途徑與美學觀。 本文的首先試圖探討這些晚近受到藝術專業者所重視的關乎藝術介入公眾領域的關鍵概念與美學,本文之第二部分將對以國外及在台灣引起許多討論且具有影響力的案例提出探討,由於許多新的關於藝術介入公眾的論述皆來自於西方學者的論述,例如90年的新類型公共藝術、關係美學,本文試圖以國外及臺灣經驗與例舉與並陳,作為一種對話並比較彼此之間的異同及其所引發的效益; 文末並針對藝術介入社會公眾領域在台灣的實踐提出反思。
關鍵字:藝術介入、新類型公共藝術、關係美學
著作名稱:藝術介入社群:社會參與式的美學與藝術實踐
年度:2013
類別: 期刊論文 藝術研究學報
摘要:自1960年代以來自今,由於觀念藝術與社會雕塑的理論的影響,當代藝術家以其創作表達了其對社會情境的看法與意識型態,並開始挑戰傳統的藝術生產的模式,藝術離開其無目的性、美學的無利害性,走出與社會脈動隔絕的孤立角色,改變了藝術家與其觀眾的關係,也帶來了藝術介入社群的創作實踐。本文旨在探討此過程的發展、藝術創作的觀念、背景,以及其所引發的社會參與式藝術實踐如何介入社群與公眾生活之關係的美學基礎與相關議題。本文首先討論在當代藝術的潮流中「藝術介入社群」之觀念體系及產生的時代背景。本文的第二部分將提出對當前國外及台灣在藝術介入社群的發展的趨勢觀察及其所帶來的影響的幾個面向的探討,包括人與人/人與空間/人與環境的對話、對文化與社會脈絡的反省、其所帶來的文化創意產業的開發以及跨領域的合作。藝術介入社群具體的擴大了藝術影響的範疇,不僅帶來了更多藝術的解放和自由、人與人的聯結,也打破了藝術與生活的藩籬,使藝術的生產成為社群生活的表達。
關鍵字:觀念藝術、社會雕塑理論、關係美學、藝術介入、社群
著作名稱:‘The Return of the Real’: Art and Identity in Taiwan’s Public Sphere
年度:2013
類別: 期刊論文 Journal of Visual Art Practice
摘要: This essay explores the extent to which various art practices in the public sphere in Taiwan constitute a significant body of critical interventions into community life.
關鍵字:Taiwan, art in the public Sphere, artistic intervention, socially-engaged art practice, community
著作名稱: ‘Art as A Cultural System: Towards A New Genre of Artist-in-Residence’, 《The Journal of Asian Art &Aesthetics》Vol.2, 2009 ,The Asian Society of Arts, Airiti Press Inc. pp.83-88, ISSN2071-655-9
年度:2009
類別: 期刊論文
摘要:
關鍵字:
著作名稱:文化與社群參與的藝術能量:米倉藝術家社區藝術家進駐計畫’,視 覺藝術論壇,第二期,國立嘉義大學人文藝術學院美術學系/視覺藝術研究所,pp.5-20,ISBN 978-986-01-0772-2
年度:2007
類別: 期刊論文
摘要:
關鍵字:
著作名稱:Cultural Exchange in Artist-in-Residence and International Art’ in The Cutting Edge, Vol.4, Internationalism and Arts of Cross-Culture, 2002, Peterborough School of Art(s), University of Leicester, England, UK, 2002, February,P.31-35
年度:2002
類別: 期刊論文
摘要:
關鍵字:
著作名稱:國際視覺藝術中心(inIVA)藝術家駐地計畫,Art 99(藝術99),專輯7,行政院文化建設委員會藝術村籌備處出版,2001年9月,P.18-23
年度:2001
類別: 期刊論文
摘要:
關鍵字:
著作名稱:異文化交流:藝術家進駐與新國際主義,Art99(藝術99),專輯8,行政院文化建設委員會藝術村籌備處出版,2001年12月,P.44-47
年度:2001
類別: 期刊論文
摘要:
關鍵字:
著作名稱:'歷史的質感:概論臺灣閒置空間再利用'於'文化視窗'閒置空間再利用專輯,行政院文化建設委員會出版,2006年12月, P.33-37
年度:2006
類別: 期刊論文
摘要:
關鍵字:
著作名稱:From Documentation to Social Practice: Art and the Critical Heritage of Military Dependents’ Villages in Taiwan
年度:2020
類別: 會議論文
摘要:In the late 1940s, the Chinese Civil War between the Nationalist Party and the Communist Party made General Chiang Kai-shek’s army retreating to Taiwan. This resulted in the building of Military Dependents’ Villages across Taiwan to settle the militaries and their families with the aim of ultimately fighting back to regain continental China. After the end of the Cold War and with time passing the relations between Taiwan and China also entered a new phase. Many Villages residents relocated elsewhere or to be torn down as part of urban planning. In Taiwan, the process of artistic intervention into the often-sensitive issues of historical legacy, difficult heritage, and the transitional justice began after the 2000s. Micro narratives and realities from different perspectives started to be unveiled through artists’ fieldworks, documentations, and engagements with community people. Displays of artist’s works and exhibitions about the Military Dependents’ Villages instilled the imagination of the audience in ways that are very different from the historian’s research. This paper analyses case studies of art practices related to the Military Dependents’ Villages. By encountering and mingling with the diaspora communities in local spaces, artists could find inspiration to develop their socially engaged practices and express field narratives beyond mere documentation. All these allowed for a better understanding of the collective memories and diaspora experience of the generation who lived in the Military Dependents’ Villages. Crucially, these artistic interventions have also contributed to establishing transitional justice and to the empowerment of the hidden voices in these communities.
關鍵字:
著作名稱:Environmental Aesthetics in Taiwan: Revival through Social Art Practice
年度:2019
類別: 會議論文
摘要:This paper discusses how artists, curators, architects and local community people have collaborated together to regenerate an “environmental aesthetics” of everyday life since the late 1990s that embodies and reflects the specificity of local culture, history and geography in the context of Taiwan where systematic urbanization has had a very negative impact in different areas. Depending on time and location these practices have taken an array of different shapes and names: “social sculpture”, “new genre public art”, “community art”, “participatory art”, “environmental art”, “dialogical art”, “relational aesthetics”, or “socially engaged art practice.” Taiwanese artists certainly share with their European counterparts the same values about the critical dimension of art in everyday life. However, one sizeable difference lies in the influence of Confucianism. Artists in Taiwan are truly thought to have the responsibility to improve society. Such projects focusing on social art practices are rewarding for participants for they open questions for dialogues and give educational opportunities; they invite participants to consider critical issues related to their own community. A closer look into socially engaged art projects will allow us to appraise the social effectiveness of such projects, their “awakening” capability as regards both human and natural environmental issues, and their relational dimension in particular within the context of tensions between globalization and localization. Finally, we will have to ask whether these social art practices have succeeded in showing the way for sustainable development through community governance on environmental issues as well as through revivals of local cultures and life-styles.
關鍵字:Social Art Practice, Aesthetics, Taiwan
著作名稱:From Social Art Practice to the Awakening of Environmental Aesthetics: The Case Study of Qijin Kitchen
年度:2019
類別: 會議論文
摘要:Since the late 1990s Taiwanese contemporary art has developed a trend of social practice that goes beyond the usual framework of museum exhibition with the aim of reaching public audiences. Moreover, such social art practice involves a degree of community engagement. From a global perspective, debates that took place in the 1990s among Western artists and scholars about ‘socially engaged art’ have also influenced social art practice in Taiwan. The context, however, was obviously very different. The post-Martial law era after 1987 saw the emergence of issues of local cultural identity and the rise of ideologies of the vernacular. Besides, social art practice in Taiwan addressed throughout the 1990s issues of cultural policies for community reconstruction and developed ideas of “creative place-making”. Such social art practice has since evolved into a genuine environmental aesthetics that has led to the rediscovery of human landscape, the natural environment, and to the reconstruction of local culture and history. This latter specificity, though, differs from its Western counterpart model of social art practice. This paper focuses on the nature of socially engaged art as environmental aesthetics in a particular project that spans several years from 2014: “Cijin Kitchen” (旗津灶咖). The project is set in an underdeveloped seaside community of the outskirt of Kaohsiung with a sizeable population of fishermen, labour workers and diverse immigrants. Importantly, the place has a historical significance with its rich maritime memories. The Cijin Kitchen socially engaged art project has been led by various artists, designers, urban planners and scholars and has allowed such a marginalised community to be empowered and renewed for its future development. In addition to highlighting the nature of social art practice from the local perspectives of Taiwan, the paper seeks to show the topicality of such practices within the broader contexts of East Asia and beyond.
關鍵字:social art practice, Cijin Kitchen
著作名稱:從教育觀點看社會參與性藝術
年度:2018
類別: 會議論文
摘要:在藝術轉向社會實踐的歷程裡,觀眾從觀看者成為合作參與者,而藝術家從作品的生產者成為理念、觀念的推動者,意識形態的傳達者與啟發者、議題的批判者等多重的角色,因為要去影響並帶動民眾成為作品的一部分或共同從事創作,這樣的過程,宛如一種社會性的藝術教育。有許多藝術工作者在尋求藝術的社會實踐方法(approach)的過程當中,往往發現教育是很重要的一環。換言之,透過教育的過程中所需的溝通、協調、對話、參與、啟發、知識與理念的傳達是社會參與性藝術的有效途徑。 Pablo Helguera(2011)在《為社會參與性藝術的教育:教材與教法手冊》(Education for Socially Engaged Art: A Materials and Techniques Handbook)一書中試圖從教育的立場來定義社會參與性的藝術,藉以對有意想從事社會實踐創作的藝術家提供指引。Helgurea以做為一個藝術工作者的立場分享了在美術館教育部門的工作經驗影引導他相信:靠著教育的歷程,可以成功創造出最具有挑戰性的社會參與性藝術創作。赫居拉分析社會參與性藝術往往是一種過程性藝術(process art),而今日普遍認同下的教育實踐裡,無疑的包括了觀眾參與(engagement with audience)、問題解決方法(inquiry-based methods)、合作對話和親自的行動實踐(hands-on activities) 等,也正好為過程性與合作性的觀念創作提供了理想的框架。然而,從教育觀點來看,參與、合作對話與師生共學的教育實踐,不是在於創造出一個均質性(homogeneity)或是標準答案,乃在於創造出更多元的個別的認知能力,而知識則是老師與學生共同建構而成的。 本論文著眼於從教育觀點看藝術的社會實踐,筆者就兩個面向來看,一部份是討論「社會參與性藝術」需要如何教育及培養藝術家對這方面的能力與背景知識?另一方面,許多藝術家在教育的實驗裡尋找到一種與社群對話與連結的方式,本文援引Pablo Helguera、John Dewey與當代藝術家Joseph Beuys、Allen Kaprow的論述,來分析社會參與性藝術所具有的教育取向,以及探討當代藝術家在其創作裡對此教育取向的看重。
關鍵字:社會參與性藝術家的教育 社會參與性藝術的教育取向
著作名稱:Artistic Intervention for Environmental Awakening and Revival
年度:2016
類別: 會議論文
摘要:
關鍵字:
著作名稱:Artistic Intervention for Environmental Awakening and Revival: Case Studies in Taiwan
年度:2015
類別: 會議論文
摘要:This paper intends to discuss how artists, architects, and local community people have collaborated together to regenerate an everyday life ‘environmental aesthetics’ that embodies and reflects the specificity of local culture, history and geography. This type of environmental aesthetics was for a long time neglected and started to fade away because of systematic urbanization. The paper will consider and compare two different cases of such artistic interventions: Zhu-Wei, which is located in the outskirt of New Taipei City (north Taiwan); and Togo Village, a rural area of Tainan county (south Taiwan). Whether such artistic interventions take the shape of ‘public art’, ‘community art’, ‘artist-in-residence schemes’, ‘environmental art’, or ‘socially engaged art practice’, they very often revitalize and empower the local image and sense of identity by involving the community and raising issues of civil right from within – which government policies cannot usually achieve. These artistic interventions, however, are not limited to fostering awareness of the natural environment, ecological issues, the human landscape, socio-cultural conditions, or collective memory and identity; they also have a concrete transformative impact by bringing sustainable development to the place. Against the often negative effects of globalization combined with late capitalism, these art projects manage to convey inspiring values to the local people and outsiders alike: the primacy of what it means to live in a community, whether in terms of human relationships or how we relate to our environment.
關鍵字: artistic interventions, socially engaged art practice, new grene public art
著作名稱:Art for Cultural Awakening: A New Genre of Artist-in-Residence Schemes in the Taiwanese Public Sphere
年度:2014
類別: 會議論文
摘要:Conventional models of artistic residence often mean that artists “live” in a space to make their art for a specified period. In other words, both location and time are somehow cut off from everyday life and its socio-political reality. It is only by merging into the everyday and giving up the illusion of its own autonomy that art practice can hope to bring some change to the life of a community. One such way of merging is to foster collaboration and mutual engagement between all parties involved beyond the limits set by institutions, sponsors and the museum-gallery system. This was Joseph Beuys’ idea of social sculpture. This has also been the core idea in the new genre of artistic residence, which, in the context of Taiwan, has opened doors for sociocultural awakening. In this sense, artists can be cultural actors in communities and the function of art becomes thus quasi anthropological. Successive governments, local authorities and sponsors in Taiwan have been involved to varying degrees in residence schemes, depending on the period and place. But overall, amongst all the people involved from different professions such as architects, government officers, town planners, ecological activists and local people, artists remain clearly the cornerstone of sociocultural change with their ability to concretely involve audiences. They can find practical ways to disclose and negotiate antonymic although complementary issues such as internationalism and localization, cultural diversity and authenticity, world-belonging and geographic specificity, or contemporariness and historical consciousness. Many such apparent dichotomies have been at the heart of the cultural climate of Taiwan, and artists-in-residence have undisputedly played an essential role in channelling those potentially conflictual energies through the relational nature of their creative practice and approach. This paper will reflect on the extent to which the new genre of artistic residence has led the way to cultural awakening in the context of Taiwanese public life.
關鍵字:New genre artist-in-residence schemes,art for cultural awakening, community engagement
著作名稱: ‘藝術家進駐計畫:當代藝術家的美學漫遊’, 《文化研究學會2008年會:樂生怒活—風格運動、生活政治與私眾社會》,台北:文化大學大眾傳播學系
年度:2008
類別: 會議論文
摘要:
關鍵字:
著作名稱:從環境美學到公眾參與: 「旗津灶咖」的社會實踐藝術
年度:2020
類別: 會議論文
摘要:自1990年以來,台灣當代藝術逐漸發展出社會實踐藝術的趨勢,不僅超越美術館展覽形式與空間,並且訴求能夠與更廣泛的公眾接觸,這樣的社會實踐也包含了相當程度的社區(群)參與。若從全球性的觀點來看,自1990年代西方藝術家與學者對於社會參與性藝術的論述,也對台灣的社會實踐藝術帶來影響,然而,在台灣的脈絡裡與西方的論述也帶著差異性。自1987年以來,後解嚴時代所帶來的是文化認同與本土意識的興起,不但影響社會實踐藝術的發展,也伴隨著1990年代在文化政策的支持下開始的社區總體營造運動以及當前地方創生的概念為背景。在台灣,這樣的社會實踐藝術也演繹出持續性的對環境美學的關懷,其所關乎的包括人文與自然環境的再發現、在地文化與歷史的重構。 本文探討2014年以來藝術家吳瑪悧發起,並與跨領域藝術家、學者以及許多非藝術專業者所共同創作的「旗津灶咖」社會參與式藝術計畫,以此作為案例研究,這個計畫的場域設定在臨海的社群,離高雄市區較遠,主要是由漁民、勞工與多元文化的移民所組成,然而不容忽視的是,因為旗津本地在海事方面的歷史回憶,使其擁有豐富的歷史脈絡與重要性。本文將探討社會參與式藝術對於像旗津這樣的一個邊緣的濱海社區,如何帶來其認同的再造與賦權。此外,除了從本地台灣的脈絡來探討藝術的社會實踐,本文也會著眼在從東亞的觀點來探究「旗津灶咖」社會參與式藝術計畫。
關鍵字:旗津灶咖、社會參與式藝術、環境美學、地方創生、公眾參與
著作名稱:關係、對話與情境─ 做為跨領域與文化交流的藝術家進駐計劃
年度:2015
類別: 會議論文
摘要:
關鍵字:
著作名稱:當代藝術創作做為一種社會文化之再現:以屏東米倉藝術家社區藝術家進駐計畫為例,2004, 1/3-1/4,文化研究學會2003年會:靠文化,By Culture,台北:東吳大學社會學系
年度:2004
類別: 會議論文
摘要:
關鍵字:
著作名稱:‘Art as A Cultural System: Towards A New Genre of Artist-in-Residence’, 《2004國際設計論壇暨第九屆中華民國設計學會設計學術研討會論文集》,2004,5/29-5/30,成功大學,p775-778
年度:2004
類別: 會議論文
摘要:
關鍵字:
著作名稱:‘Art for Social Engagement: Implications for Art Critics in the Process and Practice of Artist-in-Residence Schemes’, International Symposium on Historical Buildings and Art Space, AICA 2004 World Congress in Taiwan-Kaohsiung SymposiumⅡ,2004, 12/6-12/7,國際藝評人協會2004年會 ‘歷史建築與藝術空間國際研討會’ 論文集,高雄市立美術館
年度:2004
類別: 會議論文
摘要:
關鍵字:
著作名稱:‘藝術的社會衝擊:英國社群藝術與文化政策’ 《 在地美學實踐—社區v.s.藝術研討會》,國家文藝基金會,台北:國立台灣大學
年度:2008
類別: 會議論文
摘要:
關鍵字:
著作名稱:‘Artist-in-Residence and International Art於倫敦大學哥德史密斯學院視覺藝術系(University of London, Goldsmith College, Department of Visual Art),2001,December
年度:2001
類別: 會議論文
摘要:
關鍵字: